PRODUCED + WORDS + interview BY ANDYOMO
FEATURING SHANTÉ FORD × PHOTOS BY GP PABROS
WEARING VIOLENT SOCIETY CLOTHING
“MUSIC IS THERAPY FOR ME, SO WHATEVER I PUT OUT IS WHAT I PUT OUT. I WANNA KEEP IT AS AUTHENTIC AS POSSIBLE.”
- SHANTÉ
Shanté’s voice is one of those rare ones —
Pure, unfiltered, and completely her own. Whether it’s the gospel-infused ache of Clip My Wings, the effortless authenticity of Party on Mars, or the confessional intimacy of Cry 4 U, her music doesn’t just sound good, it truly put you in all the right feels. The 21-year-old East Oakland artist is staking her claim in R&B, blending gospel roots, neo-soul warmth, and Bay Area grit into something that can’t be boxed in.
Watching Shanté grow these past few years has been like looking through a lens that keeps sharpening—each year revealing a clearer, deeper version of who she is. From a young artist brimming with raw talent to a woman navigating the complexities of life, music, and motherhood, pulling back the curtains on her journey has been nothing short of inspiring.
It’s easy to see an artist shine from a distance, but getting closer? That’s when you really start to see the diamond glimmer; the sacrifices, the self-discovery, and the relentless faith taking shape like perfect imperfections throughout.
From hopping on BART to record her first feature in SF to becoming a vital force in the Good Compenny collective, Shanté has stays betting on herself and her God given talents. Music is more than just a craft—it’s therapy, survival, and a way to process life’s highs and lows. Whether she’s reflecting on being a young mom, her faith, or her community, every lyric feels like a late-night conversation with a close friend.
In our conversation, we dive into what fuels her creative process, her deep-rooted connection to gospel, and the growing pains of adulthood. She speaks candidly about setting boundaries, protecting her peace, and the reality of making it as an independent artist. And of course, we get into the rapid-fire questions, because how else do you really get to know someone?
At just 21, Shanté is moving with intention, unapologetically shaping her own legacy while staying true to her roots. And if you ask her what success looks like? It’s not just money or fame—it’s a life rich in love, creativity, and freedom. She’s only just getting started, and we’re lucky to witness it.
Welcome to the world of Shanté Ford-Where authenticity reigns, faith guides, and the music always tells the truth.
AndyOmo: Hi, Shanté. How are you today?
Shanté: I'm okay. [laughs]
Life, you know, it is funny.
Life be happening.
Tea, I hear you. Thank you so much for chatting with us at A Worldwide Mag. We know your time is valuable, so we appreciate that.
I appreciate you for real, for allowing me to talk to you and come on your platform. I really appreciate it.
Absolutely. So the audience knows a little bit, I've been following your journey for almost five years, I believe. It's crazy to see the universe line things up and watching your growth has been so awesome. I'm so excited to be here.
Yeah, thank you!
Of course. Let's start off by telling us a little bit about yourself for the people that don't know. Start with your name, where you're from, your age, and how long you've been doing what you're doing.
My name is Shanté. I'm 21 years old and I'm from East Oakland. And I've been doing this for a long time. I've always been musically inclined, so I've sung for as long as I can remember. I really love music. But when I first recorded my first song ever, when I first hopped in the studio, it was this collab with this guy named Jules Dorado. He's from SF and he's actually the one who introduced me to LaRussell for the first time and that's where we met. I hopped on his song and I think it was 2019, and I think it's still up on all platforms.
Love it! What's the name of the song?
It's called Yours Truly.
Cute! Talking a bit about your music, walk us through your process when creating. What does that look like for you?
When I'm in the studio, I don't like being in the studio with hella niggas. It just crowds my brain. I choose to have only a few people, or just me and my producer. I usually mumble stuff at first, then I listen to it, then go back and write it, and then go back and record it. Or if we're on crunch time or whatever, I'll start just free writing. I write my own stuff, so I just go in the corner and start brainstorming. I don't like when you're in the studio and [there is] this one part playing over and over and over again while I'm trying to write. That's why I like going into a corner and I'll think about my lyrics without the actual music playing and just have the music playing in my head.
That's awesome. So you listen to the production before you start writing lyrics? Do you ever have lyrics already in your head that you want to incorporate?
Usually, when I go in, I lay down whatever I feel. Whatever I get out is how I've felt in the moment, or how I've been feeling during the week or month. For me, music is therapy, so, whatever I put out is what I put out. And I wanna keep it [as] authentic as possible.
Totally. When listening to your music, it's definitely storytelling, 100%, so hearing you say that completely makes sense.
Yeah.
I also hear a lot of gospel influence within your sound and within the way that you write lyrics, like in songs like Proud of Me and Trials. You grew up in the church?
Yeah, I did grow up in the church.
What does your relationship with God mean to you now?
Man, I've been on a journey, for real. [laughs] But God has always been my number one.
How would you say that's shaped your sound?
Because we went every Sunday, and I'm the youngest so I grew up around a lot of older people. I grew up with my grandma- she passed away five years ago, but she was really important to me. She wasn't really all that religious, but I remember this one time I asked her if God could move the house and she was like, "If he wanted to," and I was like, "Wow, that's crazy. Like God is really powerful for real." But, I felt like she was religious, but she just didn't force that on me.
That's good.
Yeah, I feel like that's a good thing.
Would you say that this is something that you bring on within your own family now?
Yeah, I do try to go to church every Sunday now. My journey with God has been a journey, but I'm getting closer to him. I definitely feel like everybody right now needs to get close to God for real because a lot is going on. Like, bro, we are at war. A lot of shit is going on in the world. You never know. He might come tomorrow. We need to repent! [laughs]
Feel that heavy. It's really awesome that you're able to share your journey with God within your music. There's a lot of people that believe in God, especially when shit goes down and in times like these, but they're not always so vocal about it.
Exactly.
I think it's really awesome and inspiring.
You turned 21 this month, so congrats!
[laughs]
That's a big milestone! You dropped multiple songs and albums last year, which was insane how much you put out!
Thank you.
I always go back to one of my favorites, Party on Mars, which definitely is your most played song. What do you think about that track specifically that brings people back?
I think it's the authenticity of it for real. It wasn't really mixed, bruh. LaRussell mixed it- [laughs] LaRussell mixed it and he knew damn well he did not know how to mix, but I trusted him, and look at what it brought! And it was honestly a great time for me, but also a pivotal time. A lot [was] going on, but a lot of good things were happening at the same time. This was on the Protection EP. That's my first EP.
And this is before LaRussell was going by LaRussell right? He was going by a different name.
Oh, Tota!
Yeah!
I think this was right after that. I think it was when he was going by LaRussell [already]. He was like, pull up [and] I was like, bet. Me and Jules Dorado, I knew him from this open mic when I was probably like 15 or 14 [laughs]
A baby!
Yeah, I was going to open mics and really just expressing myself creatively and vocally, and that's when I met Jules. He had DM'd me, like, "Bruh, I got this song." I was like, "bet." So I took [the] BART all the way to SF, by myself. I had to be at least 15 turning 16.
Crazy. We all thought we were grown at that age though.
No, for real. Went to SF, and got it done. Then he hit me up like a month after that. He was like," Come through if you want to shoot some content for our song." I'm like, I'm like, "bet, where's that?", [and] he's like, "Vallejo." "Ooh," [laughs]," BART doesn't go all the way to Vallejo." [laughs]
It don't, [laughs] Gotta take the ferry.
So I asked my dad to bring me, to take me. We went, and that was my first time meeting LaRussell. And, this was when he was doing the backdrop live sessions. Maybe 2021, I think.
Gotcha. That sounds right.
Yeah. 2021. And, yeah, I was singing backgrounds for Jules that day specifically, for content. After we shot, LaRussell was like, "Bruh, you don't need to be singing background. Nigga, you got a voice.", and I'm like, I know, right," [laughs] I just came out here to do some content or whatever for my guy, you know Jules dorado He's like, " do you have anywhere to record," and I was like, "Nah," and he [said], "all right, bet. Come through.". So I texted him and we exchanged info and that's when I first met his mom and everybody. It was really amazing for real.
That's awesome. It's really cool to hear how that journey just unfolded. Watching from the outside, you just see what you put out. And I remember that back backdrop session with you with your locks hella long.
Yeah,
I remember you, even missed one of your lyrics and I was so into the song that I was just there singing it anyway.
[Both laugh]
It's really cool to see that. Since we're talking about way back, I remember Valerie, I think that was probably the first time I ever heard you, it was your cover of Valerie.
Wow.
You were a kid and even I was a kid watching that. I remember the Bay Area Pride was real.
You know, fun fact, LaRussell requested for me to sing that song, I didn't even know the song.
Really?! That's so funny!
Yeah, I didn't know the song. I looked it up on YouTube real quick because that's usually how I did my covers and shit. I'll just look it up and practice it. I'll have my journal and literally write down the lyrics and just go over them. So that's what I did.
“I THANK GOD EVERY DAY FOR HIS GLORY AND HIS MERCY, BECAUSE I BE FUCKING UP FOR REAL — BUT THAT'S EVERYBODY. EVERYBODY BE FUCKING UP, BUT GOD IS ALWAYS THERE WITH YOU”
- SHANTÉ